Playing in Mud again.

Sick of going ‘roon and roon’ with the mandalas and needing to connect with my, creative, inner child.
So it was no real suprise to find myself playing in mud again.
I get so lost in it.
It fits every need in me.
Just soil/earth and water. Nothing else.
And so giving. Endless possibilities.
This time I have been exploring printing techniques.
I am very excited by some of the effects created, but still have little control over them!
The print dictates the image, rather than having a plan!
Earth speaks through the medium.

I make a mono-print and then ‘draw out’, by simply moving ‘earth about’, what image I see ‘sleeping’ in the shapes made.

This mud art is very difficult to photograph well,
All these experiments are done on white paper, even using photoshop editing on them is prooving difficult.
It is impossible to simply replace background on these as much of the subtlety is lost, and, in some instances, seemingly impossible to loose ‘the blue’ of white paper.

To the best of my ability I have reproduced these images as true to their real appearance as possible!

kat robertson artist
Initial first experiments with printing in mud.

This print below has to be my favorite.
(See the top picture in this post, top left, for a truer idea of the colours and subtle texture in the mud, after applying linseed oil fix.)
This wee mud fairy was clearly calling to be ‘drawn out’ of the mud!

I have been experimenting with adding pigments/fixatives to the mud.
But this does not work.
The pigment stains the paper in a way that then does not allow further, effective, manipulation of the mud before it dries, which is more than half the fun!
I discovered (during the creation of Delta State) that I can add pigment to the dried, finished, piece if I require it.
I am also experimenting with some alternative fixing methods, as I feel these prints loose a lot of texuture when the linseed oil is applied.
More muddy experimenting to follow!

kat robertson artist

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